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Star Wars: The Mandalorian Season 2 #3 (of 8)

Comicscore Index
Mixed or average ratings

Based on 3 critic ratings.


THE MANDALORIAN braves high seas and meets unexpected allies.


Publication Date
Kindle Edition
Print Length
33 pages
Amazon ASIN

3 Critic Ratings & Reviews from:
  • 92


    Rodney Barnes continues to do a solid job of adapting the second season to comics. The Heiress is definitely one of the more memorable episodes from the second season of The Mandalorian as it introduced us to Bo-Katan who up until that point had only been seen in the Star Wars: Clone Wars and Star Wars: Rebels animated shows. I think the writer and artist of this comic do a solid job of adapting this key episode to The Mandalorian TV series.

  • 80

    Din Djarin gets a lead on where he might be able to find more Mandalorians and potentially even find a Jedi who can help advise him in how to help The Child, yet the assistance of his former clan comes at a cost. Much like last issue, the highlight of this chapter in the Season 2 adaptation is the art, which sets itself apart from previous chapters not only in its environments, but also by showcasing new fighting styles with all-new Mandalorians, as illustrator Georges Jeanity finds new ways to structure panels to really amplify the combat skills of these characters. The overall momentum of the story also builds as a compelling pace, managing to offer up not only an exciting heist in its own right, but also one that sets the stage of what’s to come. The book itself might not be quite as enthralling as the TV series, though fans who have been along for the ride up to this point will surely be impressed by the work put into this chapter.

  • 50

    SWNN - Star Wars News Net

    The writing and the plot follow the same beats as the show, so those who’ve seen the show know what to expect. I just wish that writer Rodney Barnes was able to change the script a little to give Jeanty more action moments, which is where Jeanty excels. But as it is, The Mandalorian Season 2 issue #3 is only an okay adaptation that works great during action sequences, but not so much during important dialogue sequences.

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