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Poison Ivy #8 (of 12)

Comicscore Index
Generally favorable ratings

Based on 7 critic ratings.

Poison Ivy’s adventure in fracking comes to an emotional head when the return of an old friend forces our verdant villain to confront the very real, very human costs of her actions.

Will Ivy turn over a new leaf or is she sticking to her plan?

Publication Date
Kindle Edition
Print Lenght
29 pages
Amazon ASIN

7 Critic Ratings & Reviews from:
  • 100


    ‘Poison Ivy’ #8 continues to build off its stellar opening story arc, showcasing even deeper character growth and moments for the protagonist as well as those around her. Truly gorgeous energetic ecological horror meets the beauty of humanity without losing any of its edge as a sharp justified finger continues to point at the broken system that plagues our world daily. This is a comic book with a lot to say and everyone needs to be listening to what it has to say.
  • 100

    I truly wish more comics were like this particular issue of Poison Ivy. Wilson's run has, largely, been a series of vignettes where we get snapshots of the experience of living in this world at this moment in time and while some issues have deviated from that to pull together some semblance of a plot – the overall title shines best when we see Ivy being forced to confront humanity, both her own and that of others, and in the process forces the reader to truly see the world. (...) There isn't much action here. This is mostly an issue that dwells in social commentary and reflection, but it's deeply important and something we don't get often enough in comics like this. The art here is really lovely as well and the colors, as always are perfection. I particularly love the idea that there is beauty in acknowledging the horrors of our reality and a gorgeousness and finding humanity in unexpected places.
  • 96

    You Don't Read Comics

    Wilson has found a very sharp niche for Poison Ivy that rather brilliantly occupies space somewhere between drama and comedy and horror and action and heroism and...anti-heroism. The real genius is that she does all of that while delivering a coherently simple story that is totally accessible to just about any reader. Wilson has a very, very appealing relationship with Pam. It will be fun to see it develop in future issues.
  • 85


    Poison Ivy #8 continues to show this series is rightfully one of the most important superhero books on the stands today. It conveys real-life issues in easy-to-understand and relatable ways while further humanizing Ivy. Along the way, we see the good and the bad humanity brings, and like with Poison Ivy, we tend to lean towards the good being the winner of the debate. It just requires Poison Ivy to do horrific things to a lone toxic person.
  • 85

    Geek Dad

    The story relies a little too much on body horror for me at times and the villain is fairly one-note, but I will say I like how this issue addresses one of the most pressing issues of our time—the way the need for health care coerces workers to put their ethics aside out of desperation. This seems to be a more compassionate Ivy than we saw in the early issues of this series, so I’m hoping that trend continues into the final arc.
  • 80

    Dark Knight News

    At this point in the review, it's clear that my favorite part was Janet from HR. I that we get to see more of her in the coming issues, even if it's just short snippet updates. Ivy still has a long way to go on her journey and I know she will make it a good one. Everything about her in this series has come from an intellectually stimulating place. She isn't just a villain and I hope people realize the layers she has as a character, assisted by the fantastic writing style of G. Willow Wilson.
  • 55


    This chapter of Poison Ivy was more readable than the last, but at the same time, problems with the dialogue and artwork are increasing. I also am not exactly sure what this book is building towards anymore with its story of Ivy as being more heroic. It seems like it would have been better if DC kept this to six issues.

More From Poison Ivy (2022)

About the Author: G. Willow Wilson

Gwendolyn Willow Wilson (born August 31, 1982) is an American comics writer, prose author, and essayist. Her best-known prose works include the novels Alif the Unseen and The Bird King. She is most well known for relaunching the Ms. Marvel title for Marvel Comics starring a 16-year-old Muslim superhero named Kamala Khan. Her work is most often categorized as magical realism.

Early life

Wilson was born on August 31, 1982 in Monmouth County, New Jersey, and grew up in Morganville. Wilson lived in the county until she was 12. However, in an interview with Newsrama in 2013, she erroneously said she was born in Morris County and spent the first ten years of her life there. Her parents were atheists who renounced Protestantism in the late 1960s, hence Wilson was not raised in a religious household. Wilson first encountered comics when she read an anti-smoking pamphlet featuring the X-Men in the fifth grade. The characters fascinated her and she began watching the cartoon X-Men every Saturday. Two years later she and her family moved to Boulder, Colorado, where Wilson continued to pursue her interest in comics and other forms of popular culture such as tabletop role-playing games.

Converting to Islam

After high school, Wilson attended Boston University to pursue a degree in history. During her sophomore year, Wilson began experiencing adrenal problems and the associated discomfort resulted in her studying a number of religions, including Buddhism, Judaism, Christianity, and Islam. After studying Judaism she focused on Islam, which appealed to her because “to become a Muslim is sort of a deal between you and God.” The 9/11 terrorist attack set back her religious studies – fearing she had misjudged the religion – but she later resumed her studies.

In 2003, shortly before her graduation, Wilson agreed to teach English in Cairo. During the plane journey, Wilson converted to Islam; claiming she “made peace with God. I called him Allah.” According to Butterfly Mosque, upon arrival in Cairo, Wilson secretly practiced Islam but after becoming engaged to an Egyptian she began to practice it more openly. She and her roommate resided in Tura, a district in Cairo, Egypt. The pair soon met a physics teacher named Omar who offered to show them around and act as a cultural guide. Months later, Wilson and Omar became engaged. Later, she moved with him back to the United States, with Wilson returning to her writing career, and Omar becoming a legal advocate for refugees.


Wilson’s writing career began from her work as a freelance music critic for DigBoston. After moving to Cairo, she contributed articles to the Atlantic Monthly, The New York Times Magazine, and the National Post. She was also a regular contributor to the now-defunct Egyptian opposition weekly Cairo Magazine. Wilson was the first Western journalist to be granted a private interview with Ali Gomaa after his promotion to the position of Grand Mufti of Egypt. Additionally, Wilson released a memoir titled The Butterfly Mosque about life in Egypt during the Mubarak regime, which was named a Seattle Times Best Book of 2010.

Her first graphic novel, Cairo, with art by M.K. Perker, was published by Vertigo in 2007, and named one of the best graphic novels of 2007 by Publishers Weekly, The Edmonton Journal/CanWest News, and Comics Worth Reading. The paperback edition of Cairo was named one of Best Graphic Novels for High School Students in 2008 by School Library Journal, and one of 2009’s Top Ten Graphic Novels for Teens by the American Library Association.

Her first ongoing comic series, Air, launched by Vertigo in 2008 reunited her with Perker, and was nominated for an Eisner Award for ‘Best New Series’ of 2009. NPR named Air one of the top comics of 2009, and it also received acclaim from the Fairfield Weekly, Comic Book Resources, Marie Claire, and Library Journal. Other works for DC include fill-in issues #704 and 706 of Superman, the five-issue mini-series Vixen: Return of the Lion, starring the Justice League member Vixen with art by CAFU, and The Outsiders.

Wilson then wrote Mystic (2011), a four-issue miniseries for Marvel Comics with art by David Lopez. Although a CrossGen revival, Willow’s Mystic bears little resemblance to its previous incarnation.

Her debut novel Alif the Unseen (Grove/Atlantic) won the 2013 World Fantasy Award for best novel.

In 2014, Marvel debuted a new Ms. Marvel series written by Wilson. The book stars Kamala Khan, a Muslim teenager living in Jersey City, New Jersey, who takes up the mantle after the previous Ms. Marvel, Carol Danvers, took up the name Captain Marvel.

In November 2018, Wilson began writing Wonder Woman from DC Comics. The character battles Ares in an arc entitled “The Just War.”

Her March 2019 novel, The Bird King, tells the story of Fatima, a concubine in the royal court of Granada, the last emirate of Muslim Spain, and her dearest friend Hassan, the palace mapmaker. Hassan has a secret: he can draw maps of places he’s never seen and bend the shape of reality.

In 2020, she is writing The Dreaming from DC Comics, with art by Nick Robles and starting with issue #19. The series is part of The Sandman Universe.

Creating Kamala Khan

Wilson had already had a few forays into the comic book industry, having worked on titles such as Superman and Vixen previously. She received an email for an interview with David Gabriel, a senior vice-president at Marvel Entertainment. By that point Wilson was almost finished with her second novel, but she took the time to speak with him. Shortly thereafter she was offered to co-create a new version of Ms. Marvel named Kamala Khan alongside Sana Amanat, a director and editor at Marvel Entertainment. The process of crafting Kamala was detailed, both artists wished to create a teenage Muslim American girl. Before settling on her Pakistani heritage the two debated the idea of making her a Somali American girl. While creating Kamala as a character the duo expected negativity, not just from people who were anti-Muslim, but also from Muslims who believed Kamala should be portrayed in a certain way. The crafting also focused on smaller details, Wilson did not believe Kamala should have worn a hijab due to a majority of teenage Muslim American girls not wearing them. Despite their initial fears, Kamala was received positively. Some sources described her as easy to relate to, even likening her to a modern day Peter Parker. Others even viewed Kamala as a symbol for equality and representation among different religions.

Personal life

Since 2007, Wilson has lived in Seattle with her husband, Omar. She has two daughters.

[Latest Update: June 28, 2022]

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