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Poison Ivy #16

Comicscore Index
Generally favorable ratings

Based on 9 critic ratings.

As Ivy recovers from her latest bout, her thoughts are strangely drawn to a person whose life she ruined. It’s time to meet Chuck: an absolutely ordinary, everyday family man who is about to discover he has a higher calling in life.

Publication Date
Kindle Edition
Print Lenght
26 pages
Amazon ASIN

Cover Artist

9 Critic Ratings & Reviews from:
  • 100


    The sins of the past almost always have a way of visiting the present, as ‘Poison Ivy’ #16 shows in a truly tragic way. The series ec0-horror spotlight changes its focus just a bit as the team brings us something riveting as it is emotionally devastating.
  • 100

    Poison Ivy #16 finally connects things back to the start of this series and Ivy's journey across the United States and her original plan to spread the lamia spores and bring about the end of the world, as it were and while the narrative deftly sets the stage for the next major battle she must face—what appears to be an army of her fungal zombies coming towards Gotham and entirely out of her control—what the issue genuinely excels at is its eloquent and gut-wrenching commentary of our late-capitalist society. Much of the issue follows a regular, blue collar man named Chuck who is already overworked and underpaid who keeps pushing on when he gets sick and really should seek medical care but simply can't because we live in a world where that's just not possible, where one has to choose between surviving the day and actually being alive. It's subtle, but notable that the narrative is truly discussing two types of sickness: the one on the page and the one within our society and itself. Wilson does a fantastic job of balancing both of these things in this issue while digging even deeper into Ivy as a character and paired with Takara's art and Prianto's colors, is beautiful even if it is a nightmare.
  • 93

    Comic Watch

    Poison Ivy #16 brings us face-to-face with the ongoing COVID-19 pandemic in nauseating psychedelic technicolor. While the central metaphor struggles to convey real-world nuances, the comic remains vital and poignant.
  • 90

    Geek Dad

    It’s a risky move to take a lead character and immerse us in the pain she’s caused and the people she’s hurt, but I think it works—this series has a lot of confidence in its readers to embrace a very complex lead character with flaws. But as the issue ends and we see Chuck’s final act, we discover that he’s not all gone—and neither is any of Ivy’s victims, as they make a move on the happy little life she’s built in Slaughter Swamp. It feels like this is what the entire series has been building to, and the final page is genuinely chilling.
  • 89

    The Super Powered Fancast

    The Story: I found this chapter to be particularly heart rendering and thought provoking. Wilson’s narrative regarding the life of Chuck is both terrible and relatable. His eventual demise from the lamia spores can be compared with the victims of Covid-19. In a pandemic there are always tales of regular individuals who suffer tremendous loss and pain. I was especially taken by Chuck’s inability, or unwillingness, to take time off work to deal with his condition. As well as his wife’s need to carry on with her daily tasks regardless of her worry for her missing husband. These reactions speak to society at large and makes a statement on what we as a collective hold dear. Poison Ivy’s growth in this series has been interesting to watch and I am curious to know how she handles even greater challenges in the future. The Art: This issue uses traditional comic styling based on realism. The attention to detail in both character and locale setting does much to emotionally connect the reader to the tale. Although there is a lot of world building and relationship oriented art, there are some really interesting panels that hold a nightmarish quality to them. Overall, I found the creative team did an excellent job with matching the illustrations with the tone of the story.
  • 80


    G. Willow Wilson’s Poison Ivy #16 is a beautifully written tragedy of an innocent man and the sins that are coming to collect their due from Ivy. With magnificent art from Marcio Takara and Arif Prianto, that makes the issue a joy to read from the first page to the last, it is well worth your time and the perfect setup for Ivy’s next major confrontation.
  • 80

    Comics From The Multiverse

  • 70

    Dark Knight News

    Poison Ivy #16 truly furthers the storyline, mostly with some excellent character development. The plot, however, seems to have stagnated slightly. However, this means nothing when considering the amazing work of Wilson and the team. Every page is thrilling, and I keep wanted to explore more of the amazing world they are creating.
  • 65


    I suppose the most positive thing I can say about Poison Ivy is that it’s the best book on the stands right now in terms of having a cohesive story, for the most part, and in terms of having some artistic merit. But honestly, that’s not a high bar. I wish that this series would pick up and live up to being one of the top selling DC books as it currently is.

More From Poison Ivy (2022)

About the Author: G. Willow Wilson

Gwendolyn Willow Wilson (born August 31, 1982) is an American comics writer, prose author, and essayist. Her best-known prose works include the novels Alif the Unseen and The Bird King. She is most well known for relaunching the Ms. Marvel title for Marvel Comics starring a 16-year-old Muslim superhero named Kamala Khan. Her work is most often categorized as magical realism.

Early life

Wilson was born on August 31, 1982 in Monmouth County, New Jersey, and grew up in Morganville. Wilson lived in the county until she was 12. However, in an interview with Newsrama in 2013, she erroneously said she was born in Morris County and spent the first ten years of her life there. Her parents were atheists who renounced Protestantism in the late 1960s, hence Wilson was not raised in a religious household. Wilson first encountered comics when she read an anti-smoking pamphlet featuring the X-Men in the fifth grade. The characters fascinated her and she began watching the cartoon X-Men every Saturday. Two years later she and her family moved to Boulder, Colorado, where Wilson continued to pursue her interest in comics and other forms of popular culture such as tabletop role-playing games.

Converting to Islam

After high school, Wilson attended Boston University to pursue a degree in history. During her sophomore year, Wilson began experiencing adrenal problems and the associated discomfort resulted in her studying a number of religions, including Buddhism, Judaism, Christianity, and Islam. After studying Judaism she focused on Islam, which appealed to her because “to become a Muslim is sort of a deal between you and God.” The 9/11 terrorist attack set back her religious studies – fearing she had misjudged the religion – but she later resumed her studies.

In 2003, shortly before her graduation, Wilson agreed to teach English in Cairo. During the plane journey, Wilson converted to Islam; claiming she “made peace with God. I called him Allah.” According to Butterfly Mosque, upon arrival in Cairo, Wilson secretly practiced Islam but after becoming engaged to an Egyptian she began to practice it more openly. She and her roommate resided in Tura, a district in Cairo, Egypt. The pair soon met a physics teacher named Omar who offered to show them around and act as a cultural guide. Months later, Wilson and Omar became engaged. Later, she moved with him back to the United States, with Wilson returning to her writing career, and Omar becoming a legal advocate for refugees.


Wilson’s writing career began from her work as a freelance music critic for DigBoston. After moving to Cairo, she contributed articles to the Atlantic Monthly, The New York Times Magazine, and the National Post. She was also a regular contributor to the now-defunct Egyptian opposition weekly Cairo Magazine. Wilson was the first Western journalist to be granted a private interview with Ali Gomaa after his promotion to the position of Grand Mufti of Egypt. Additionally, Wilson released a memoir titled The Butterfly Mosque about life in Egypt during the Mubarak regime, which was named a Seattle Times Best Book of 2010.

Her first graphic novel, Cairo, with art by M.K. Perker, was published by Vertigo in 2007, and named one of the best graphic novels of 2007 by Publishers Weekly, The Edmonton Journal/CanWest News, and Comics Worth Reading. The paperback edition of Cairo was named one of Best Graphic Novels for High School Students in 2008 by School Library Journal, and one of 2009’s Top Ten Graphic Novels for Teens by the American Library Association.

Her first ongoing comic series, Air, launched by Vertigo in 2008 reunited her with Perker, and was nominated for an Eisner Award for ‘Best New Series’ of 2009. NPR named Air one of the top comics of 2009, and it also received acclaim from the Fairfield Weekly, Comic Book Resources, Marie Claire, and Library Journal. Other works for DC include fill-in issues #704 and 706 of Superman, the five-issue mini-series Vixen: Return of the Lion, starring the Justice League member Vixen with art by CAFU, and The Outsiders.

Wilson then wrote Mystic (2011), a four-issue miniseries for Marvel Comics with art by David Lopez. Although a CrossGen revival, Willow’s Mystic bears little resemblance to its previous incarnation.

Her debut novel Alif the Unseen (Grove/Atlantic) won the 2013 World Fantasy Award for best novel.

In 2014, Marvel debuted a new Ms. Marvel series written by Wilson. The book stars Kamala Khan, a Muslim teenager living in Jersey City, New Jersey, who takes up the mantle after the previous Ms. Marvel, Carol Danvers, took up the name Captain Marvel.

In November 2018, Wilson began writing Wonder Woman from DC Comics. The character battles Ares in an arc entitled “The Just War.”

Her March 2019 novel, The Bird King, tells the story of Fatima, a concubine in the royal court of Granada, the last emirate of Muslim Spain, and her dearest friend Hassan, the palace mapmaker. Hassan has a secret: he can draw maps of places he’s never seen and bend the shape of reality.

In 2020, she is writing The Dreaming from DC Comics, with art by Nick Robles and starting with issue #19. The series is part of The Sandman Universe.

Creating Kamala Khan

Wilson had already had a few forays into the comic book industry, having worked on titles such as Superman and Vixen previously. She received an email for an interview with David Gabriel, a senior vice-president at Marvel Entertainment. By that point Wilson was almost finished with her second novel, but she took the time to speak with him. Shortly thereafter she was offered to co-create a new version of Ms. Marvel named Kamala Khan alongside Sana Amanat, a director and editor at Marvel Entertainment. The process of crafting Kamala was detailed, both artists wished to create a teenage Muslim American girl. Before settling on her Pakistani heritage the two debated the idea of making her a Somali American girl. While creating Kamala as a character the duo expected negativity, not just from people who were anti-Muslim, but also from Muslims who believed Kamala should be portrayed in a certain way. The crafting also focused on smaller details, Wilson did not believe Kamala should have worn a hijab due to a majority of teenage Muslim American girls not wearing them. Despite their initial fears, Kamala was received positively. Some sources described her as easy to relate to, even likening her to a modern day Peter Parker. Others even viewed Kamala as a symbol for equality and representation among different religions.

Personal life

Since 2007, Wilson has lived in Seattle with her husband, Omar. She has two daughters.

[Latest Update: June 28, 2022]