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Gotham City: Year One #4 (of 6)

Comicscore Index
Generally favorable ratings

Based on 11 critic ratings.

The new crime-noir classic rolls on!

Slam Bradley’s search for the Wayne heiress takes a tragic, deadly turn and the simmering pot that is Gotham City is about to boil over!

As the world falls apart around him, Slam must decide between justice and revenge-a choice that will echo down the generations and redefine both Gotham and Batman!

Publication Date
Kindle Edition
Print Lenght
36 pages
Amazon ASIN

11 Critic Ratings & Reviews from:
  • 100

    Batman on Film

    King’s detective narration continues to be pitch-perfect in getting the reader into the proper mindset for this story. If you weren’t a fan of Slam Bradley before this series, I guarantee you will be by the end. (...) Hester is doing some career-defining work here. As if resurrecting Oliver Queen wasn’t enough of a feather in his cap all those years ago, he is definitely leaving his mark on the Gotham of the past. His choice of camera angles draws you in, gives the characters power when it needs to, and sets the perfect pace for reading. I just find myself immersed in every page. See if you can see the shadow of a bat in a certain alley! One aspect of the mystery may be over, but the plot is still barrelling along full-speed ahead, guaranteeing you’ll want to come back next month for another shot of what King and Hester are pouring. Detective Comics is taking a more gothic route these days, so for those yearning for a hard-boiled, noir-soaked yarn, this is definitely the book for you!
  • 94

    The Super Powered Fancast

    The Story: A brilliantly dark and gritty noir thriller that continues to create great characters, mystery and atmosphere. I continue to love Sam Bradley as a character and every moment he takes the reader into the darker elements of Gotham is a great one. I love how dark the story goes and how Sam is crafted as the flawed hero. I cannot wait to see where the story goes next after its awesome cliffhanger. The Art: Hester brings fantastic scope and emotion to the visuals in the issue. Every page, panel and angle reminds me of some of the best noir films and the imagery creates the perfect emotional tone for the story.
  • 90

    The Comicbook Dispatch

    Gotham City: Year One #4 continues this undeniably powerful story forward by raising the stakes with romance and new potential perps. And just when you think the story is done, King throws in some more wrinkles to keep fans on their toes. Readers will find themselves cheering for Slam throughout all the punishment and hoping that this character finds a place in comic stories for years to come. Gotham City: Year One #4 combines some of the best qualities of a crime noir and mixes them together with a historic, continuity dream that places so much more history in Gotham and with the Waynes. Sure, Gotham City: Year One #4 isn’t as powerful as the last issue but this issue still had its decisive moments. Batman fans interested in Gotham and the Waynes need to be reading this series. Film noir buffs should also hop on this train while they still can. I simply couldn’t be more excited to see this series come out each month. It’s so weird for me to say this but… Keep it coming Mr. King! Keep it coming!
  • 90


    Gotham City: Year One #4 is another enticing chapter revealing truths about Gotham, the Waynes, and possibly Batman himself. It's exciting to see there are hidden tales worth telling expertly unveiled by the creators in each chapter.
  • 90

    Geek Dad

    This is a tense, gripping story that immerses you in a very different Gotham—one less crime-riddled, but maybe just as cruel. It hasn’t reached the heights of King’s other works yet, but it is building towards an explosive finale.
  • 90

    Gotham City: Year One began as an impressive genre riff, but has transformed itself into a critique of American history, class, and perhaps the comic book industry in an impressive mid-series twist. When the final page of issue #4 arrives, it's abundantly clear this ought to be a series everyone is talking about before it ends.
  • 80


    Gotham City: Year One #4 offers an exploration of Slam at his lowest point. Seemingly everything and everyone has turned on him. King continues to deliver a gripping, character driven detective story with plenty of twists and turns. The past three issues have set up all the pieces, and now everything is coming together. If you have any interest in detective fiction in your Batman stories, be sure to pick this up.
  • 80

    Weird Science DC Comics

    Gotham City: Year One #4 uncovers the truth behind Helen Wayne's murder and gets the main character, Slam Bradley, beaten up... a lot. All that's left to do is find out how Slam resolves the murder while keeping the Wayne legacy intact, so we'll see how it goes. In the meantime, this issue is a serviceable time waster.
  • 80

    Dark Knight News

    Gotham City: Year One #4 is a very entertaining read as it kicks its film noir influences into overdrive. Even a somewhat mediocre mystery doesn’t dampen the sharp characterization and moody art.
  • 60

    The Batman Universe

    King returns to the leaden, expected “twists'' of the first issue, leading to a denouement that hits with all the force of a whiffle bat, though Hester, Gapstur, and Bellaire’s art once again lifts the book up.
  • 50

    Women Write About Comics - WWAC

More From Gotham City: Year One (2022)

About the Author: Tom King

Tom King (born July 15, 1978) is an American author, comic book writer, and ex-CIA officer. He is best known for writing the novel A Once Crowded Sky, The Vision for Marvel Comics, The Sheriff of Babylon for the DC Comics imprint Vertigo, and Batman and Mister Miracle for DC Comics.

Early life

King primarily grew up in Southern California. His mother worked for the film industry which inspired his love of storytelling. He interned at both DC and Marvel Comics during the late 1990s. He studied both philosophy and history at Columbia University, graduating in 2000. He identifies as “half-Jewish, half-midwestern”.


King interned both at DC Comics and Marvel Comics, where he was an assistant to X-Men writer Chris Claremont, before joining the CIA counterterrorism unit after 9/11. King spent seven years as a counterterrorism operations officer for the CIA before quitting to write his debut novel, A Once Crowded Sky, after the birth of his first child.

A Once Crowded Sky, King’s debut superhero novel with comics pages illustrated by Tom Fowler, was published on July 10, 2012 by Touchstone, an imprint of Simon & Schuster, to positive reception.

In 2014, King was chosen to co-write Grayson for DC Comics, along with Tim Seeley and Mikel Janin on art. After penning Nightwing #30, King, Seeley, and Janin launched Grayson in May 2014, featuring Dick Grayson leaving behind his Nightwing persona at age 22 to become Agent 37, a Spyral spy. King and Seeley plotted the series together and traded issues to script separately, with King providing additional authenticity through his background with the CIA.

A relaunch of classic DC Comics series The Omega Men was published in June 2015 by King and debut artist Barnaby Bagenda, as part of the publisher’s relaunch DC You. The series follows a group of rebels fighting an oppressive galactic empire, and feature White Lantern Kyle Rayner. The Omega Men, created in 1981, are DC’s cosmic equivalent to Marvel’s Guardians of the Galaxy, though significantly more obscure. King’s and Bagenda’s use of the nine-panel grid, popularized by Alan Moore‘s and Dave Gibbons‘ Watchmen, has been praised by reviewers.

In San Diego Comic-Con 2015, Vertigo revealed a new creator-owned project written by King with art by Mitch Gerads titled The Sheriff of Baghdad. The project, a crime series in the vein of Vertigo titles like Preacher and Scalped, was set to launch in late 2015, and was inspired by King’s time in Iraq as part of the CIA. Initially an eight-issue miniseries, it was later re-titled The Sheriff of Babylon and expanded into an ongoing series. The first issue launched in December 2015 to critical acclaim, with reviewers praising its “deeply personal” storytelling and the “intriguing” and “captivating” personalities of its characters. That same year, DC announced “Robin War”, a crossover storyline set for December that would run for five weeks through titles Grayson, Detective Comics, We Are Robin, and Robin: Son of Batman; King was set to orchestrate the crossover’s story-line and pen two one-shots to open and close the series.

As part of Marvel Comics’ All-New, All-Different relaunch, King was announced as the writer of The Vision, a new ongoing following the titular character and his newly created family, with artist Gabriel Hernández Walta, colorist Jordie Bellaire, and covers by Mike del Mundo, launching in November 2015. The Vision has been well received by the public, with reviewers calling the series one of Marvel’s “biggest surprises” and praising the narration, art, and colors.

In September 2015, DC cancelled King’s The Omega Men, along with four other titles, with the series ending with issue seven. After negative fan response to the cancellation, Jim Lee, DC’s co-publisher, announced that they would be bringing back The Omega Men through at least issue 12. Lee described the decision to cancel the series as “a bit hasty,” crediting the book’s critical acclaim and fan social media reactions as the reason the title would go on for the planned 12-issue run.

King penned a Green Lantern one-shot that ties into the “Darkseid War” Justice League storyline, titled “Will You Be My God?”, which James Whitbrook of io9 praised as “one of the best” Green Lantern stories.

King and co-writer Tim Seeley announced they would leave Grayson after issue #18, with King clarifying on Twitter that they were working on something “big and cool” and needed time. King and Seeley officially left the series in February with issue #17, with Jackson Lanzing and Collin Kelly taking over for its last three issues with issue #18 in March.

DC Comics announced in February 2016 that King had signed an exclusivity deal with the publisher, which would see him writing exclusively for DC and Vertigo. King revealed via his Twitter account that he would stay on The Vision as writer through issue 12, finishing the story arc he had planned from the beginning.

In March 2016, it was announced that King would be writing the main bi-weekly Batman series beginning with a new #1, replacing long-time writer Scott Snyder, as part of DC’s Rebirth relaunch that June. King has stated that his run would be 100 issues total, with the entirety being released twice-monthly, though this was later curtailed to 85 issues and 3 annuals, with a 12 issue followup maxiseries Batman/Catwoman to finish the story.

In August 2017, King and regular collaborator Mitch Gerads launched the first issue of their Mister Miracle series, with a planned total run of twelve issues. In June 2018 DC Comics announced King would be writing Heroes in Crisis, a limited series centering around a concept he introduced in Batman.

In July 2018, he received the Eisner Award for Best Writer, shared with Marjorie Liu.

In May and June 2019, King, DC Co-Publisher Jim Lee, and CW series actresses Nafessa Williams, Candice Patton, and Danielle Panabaker toured five U.S. military bases in Kuwait with the United Service Organizations (USO), where they visited the approximately 12,000 U.S. military personnel stationed in that country as part of DC’s 80th anniversary of Batman celebration.

In September 2020, DC Comics announced that King would be among the creators of a revived Batman: Black and White anthology series to debut on December 8, 2020. From 2021 to 2022, King was the writer on the eight-issue miniseries Supergirl: Woman of Tomorrow with artist Bilquis Evely. Susana Polo, for Polygon, wrote that “with the final issue of Supergirl: Woman of Tomorrow I can definitively say this book slaps front to back. […] The best thing Tom King’s done since Mister Miracle”. David Harth, for CBR, commented that since The Omega Men, “King has mostly stayed away from sci-fi, going for a more psychological take on superheroes instead”. Harth highlighted that Supergirl: Woman of Tomorrow “is very much a sci-fi epic” and that the series is “even more imaginative than Omega Men’s sci-fi, as it has King flexing his muscles in different ways”.

Personal life

King lives in Washington, D.C. with his wife and three children.

[Latest Update: May 23, 2022]

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