Deathstroke Year One continues! Deathstroke’s mission went so wrong it landed him in… the morgue!
In a race against time, Slade Wilson must get to his target before the entire mission is scrubbed!
Publication Date
Publisher
Format
Kindle Edition
Print Lenght
26 pages
Language
English
Price
$3.99
Amazon ASIN
B0BC9XJQ23
Reprinted in
6 Critic Ratings & Reviews from:
- 95
Lyles Movie Files
This arc has come out of nowhere to be one of DCs most satisfying reads. It offers some interesting insight on the man that will become DCs deadliest assassin with enchanting art and captivating writing. - 87
Comic Watch
Ed Brisson, Dexter Soy, Veronica Gandini and Steve Wands are killing it with this series so far, killing being the operative word. With stellar storytelling, art and lettering, this series does a great job of expanding on what made Slade Wilson the dark hearted bastard that we know and love to hate. As it unfolds, I cant wait to see what comes next for the character and this team. - 80
Geek Dad
The main thing that holds my interest here is his businesslike but deeply enmeshed relationship with Wintergreen, who is quickly becoming his only real connection left, as the two of them rocket towards an explosive confrontation with their target and potentially rival assassins. - 80
Women Write About Comics - WWAC
- 70
Dark Knight News
Deathstroke Inc. #13 slowed down a lot. This is common with transitional issues, but it's still a bit disappointing. As far as transitional chapters go however, this was pretty top tier - 20
ComicBook.com
Deathstroke Inc. #13 is a comic that reads like the coffee it describes in dialogue – bitter, lacking in substance, and reheated beyond any pleasurable purpose. If any of this narrative were original, there might be some narrative justification for a series of expository discussions repeating current events and adding too-familiar details. It's difficult to keep reading when Slade is complaining that arrows can pierce bulletproof body armor because the entire event seems without genuine purpose. Statements can be swapped between characters without any effect, unless they use titles, because there are no clear voices or perspectives. There's not even substantial action sequences portrayed in a loose linework style capable of investing energy in its figures but rarely able to do so with such dull settings and a plodding progression of events. Why is this story still being told and who is it even being told for?
