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Danger Street #2 (of 12)

Comicscore Index
Generally favorable ratings

Based on 9 critic ratings.

After their attempt to join the Justice League goes horrendously wrong, Warlord and Starman are on the run from the law and the forces of the Fourth World!

In their wake they have left behind both a murder and the ongoing mystery of Atlas the Great and his connection to the cosmic powers of the DC Universe.

But don’t fret, Lady Cop is on the case, and she won’t rest until it’s solved.

But little does she know, a malevolent corporation has a connection to it all and they’re willing to kill to keep their secrets safe.

After all, nobody messes with the Green Team!

Publication Date
Kindle Edition
Print Lenght
36 pages
Amazon ASIN

Cover Artist

9 Critic Ratings & Reviews from:
  • 100

    Monkeys Fighting Robots

    DC Comics’ Danger Street lures you in with the madness of its plot. But you stick around because of the wonderfully human and heartbreaking characters. King, Fornes, Stewart, and Cowles are creating a work that is somehow electrifying and deeply compassionate at the same time. There’s a gorgeous balance that this series strikes. It’s easily one of the best books on the shelves. Don’t miss out on this fantastic series, out now at a comic shop near you!
  • 95

    Geek Dad

    This week’s double-dose of Tom King couldn’t do a better job of emphasizing the writer’s unique style if that was the goal, and the two books couldn’t be more different. While The Human Target is a character-study drilling down on only a select few characters, Danger Street is by far King’s most ambitious ensemble piece ever.
  • 90


    Danger Street is an excellent social commentary on people doing their best and trying to keep their heads above water. It's a profoundly realistic story while playing with superheroes and supervillains in creative ways. Danger Street #2 continues to show with the best creators literally any hero of any renown can hit you in the feels and make you think about life.
  • 89

    The Super Powered Fancast

    The Story: King continues to craft an engaging and interesting story in this issue. There are several great mysteries being crafted in this series and each one is as compelling as the next with great characters that connect with the reader and keep me intrigued. The series is unique and the unique nature of it makes me excited to see what happens next. The Art: Fornes delivers some great art in the issue. The different locations and emotional story beats are brilliantly illustrated in the issue.
  • 86

    Comic Watch

    The world of Danger Street continues to grow as new threads are explored in this second issue. Those who understand that this story is still growing and arent looking for immediate payoffs will appreciate the fantastic worldbuilding and nuanced social commentary.
  • 80

    Perhaps the single most impressive element in Danger Street remains how dexterously it balances a set of 13 protagonists, with each character or small ensemble playing into the second issue in a manner that continues their own plots while weaving them more clearly into others. It's a striking feat of scripting. While it will doubtless take many more issues for the big picture to become clear, there's clearly a plan and sufficient momentum to not doubt it present here. (...) The only weakness in these many overlapping plots is that the plotting leaves little space for character; Lady Cop and all the rest are exactly who readers imagined them to be from the start, but that at least keeps things slightly more simple.
  • 79

    Graphic Policy

    Danger Street #2 is a vast improvement on the first issue. It delivers the “humanity” of the characters that makes me connect to them in some way. By showing their grief, the team has me now caring about the actions each character takes going forward. It delivers a reason I should care about all of that. It’s no longer a story of rich brats and screw-up heroes but now one of revenge and redemption driven by mourning.
  • 63

    Major Spoilers

    I don’t know how or why the idea to bring back and tie together all the features of a thirteen-issue anthology from 1975 came to be, but Danger Street #2 succeeds in showing the depth of that premise, while also reminding readers that, if the series is going to go someplace interesting, the oppressive sense of impending catastrophe has to let up eventually, earning a better-than-average 3 out of 5 stars overall. The art helps to make up for a lot of storyline sins, but it’s the robust narration of Doctor Fate’s headgear that elevates this past the grinding awfulness of Heroes In Crisis.
  • 60

    The Comicbook Dispatch

    Danger Street #2 frustratingly continues to try to wring a Watchmen-style story with DC’s most obscure characters. Warlord is nothing like the Travis Morgan of the past, he’s more a shell of a character now than the great character he once was. It’s a story that wanders from subplot to subplot, and hopefully when the subplots and characters come together, the series will improve.

More From Danger Street (2022)

About the Author: Tom King

Tom King (born July 15, 1978) is an American author, comic book writer, and ex-CIA officer. He is best known for writing the novel A Once Crowded Sky, The Vision for Marvel Comics, The Sheriff of Babylon for the DC Comics imprint Vertigo, and Batman and Mister Miracle for DC Comics.

Early life

King primarily grew up in Southern California. His mother worked for the film industry which inspired his love of storytelling. He interned at both DC and Marvel Comics during the late 1990s. He studied both philosophy and history at Columbia University, graduating in 2000. He identifies as “half-Jewish, half-midwestern”.


King interned both at DC Comics and Marvel Comics, where he was an assistant to X-Men writer Chris Claremont, before joining the CIA counterterrorism unit after 9/11. King spent seven years as a counterterrorism operations officer for the CIA before quitting to write his debut novel, A Once Crowded Sky, after the birth of his first child.

A Once Crowded Sky, King’s debut superhero novel with comics pages illustrated by Tom Fowler, was published on July 10, 2012 by Touchstone, an imprint of Simon & Schuster, to positive reception.

In 2014, King was chosen to co-write Grayson for DC Comics, along with Tim Seeley and Mikel Janin on art. After penning Nightwing #30, King, Seeley, and Janin launched Grayson in May 2014, featuring Dick Grayson leaving behind his Nightwing persona at age 22 to become Agent 37, a Spyral spy. King and Seeley plotted the series together and traded issues to script separately, with King providing additional authenticity through his background with the CIA.

A relaunch of classic DC Comics series The Omega Men was published in June 2015 by King and debut artist Barnaby Bagenda, as part of the publisher’s relaunch DC You. The series follows a group of rebels fighting an oppressive galactic empire, and feature White Lantern Kyle Rayner. The Omega Men, created in 1981, are DC’s cosmic equivalent to Marvel’s Guardians of the Galaxy, though significantly more obscure. King’s and Bagenda’s use of the nine-panel grid, popularized by Alan Moore‘s and Dave Gibbons‘ Watchmen, has been praised by reviewers.

In San Diego Comic-Con 2015, Vertigo revealed a new creator-owned project written by King with art by Mitch Gerads titled The Sheriff of Baghdad. The project, a crime series in the vein of Vertigo titles like Preacher and Scalped, was set to launch in late 2015, and was inspired by King’s time in Iraq as part of the CIA. Initially an eight-issue miniseries, it was later re-titled The Sheriff of Babylon and expanded into an ongoing series. The first issue launched in December 2015 to critical acclaim, with reviewers praising its “deeply personal” storytelling and the “intriguing” and “captivating” personalities of its characters. That same year, DC announced “Robin War”, a crossover storyline set for December that would run for five weeks through titles Grayson, Detective Comics, We Are Robin, and Robin: Son of Batman; King was set to orchestrate the crossover’s story-line and pen two one-shots to open and close the series.

As part of Marvel Comics’ All-New, All-Different relaunch, King was announced as the writer of The Vision, a new ongoing following the titular character and his newly created family, with artist Gabriel Hernández Walta, colorist Jordie Bellaire, and covers by Mike del Mundo, launching in November 2015. The Vision has been well received by the public, with reviewers calling the series one of Marvel’s “biggest surprises” and praising the narration, art, and colors.

In September 2015, DC cancelled King’s The Omega Men, along with four other titles, with the series ending with issue seven. After negative fan response to the cancellation, Jim Lee, DC’s co-publisher, announced that they would be bringing back The Omega Men through at least issue 12. Lee described the decision to cancel the series as “a bit hasty,” crediting the book’s critical acclaim and fan social media reactions as the reason the title would go on for the planned 12-issue run.

King penned a Green Lantern one-shot that ties into the “Darkseid War” Justice League storyline, titled “Will You Be My God?”, which James Whitbrook of io9 praised as “one of the best” Green Lantern stories.

King and co-writer Tim Seeley announced they would leave Grayson after issue #18, with King clarifying on Twitter that they were working on something “big and cool” and needed time. King and Seeley officially left the series in February with issue #17, with Jackson Lanzing and Collin Kelly taking over for its last three issues with issue #18 in March.

DC Comics announced in February 2016 that King had signed an exclusivity deal with the publisher, which would see him writing exclusively for DC and Vertigo. King revealed via his Twitter account that he would stay on The Vision as writer through issue 12, finishing the story arc he had planned from the beginning.

In March 2016, it was announced that King would be writing the main bi-weekly Batman series beginning with a new #1, replacing long-time writer Scott Snyder, as part of DC’s Rebirth relaunch that June. King has stated that his run would be 100 issues total, with the entirety being released twice-monthly, though this was later curtailed to 85 issues and 3 annuals, with a 12 issue followup maxiseries Batman/Catwoman to finish the story.

In August 2017, King and regular collaborator Mitch Gerads launched the first issue of their Mister Miracle series, with a planned total run of twelve issues. In June 2018 DC Comics announced King would be writing Heroes in Crisis, a limited series centering around a concept he introduced in Batman.

In July 2018, he received the Eisner Award for Best Writer, shared with Marjorie Liu.

In May and June 2019, King, DC Co-Publisher Jim Lee, and CW series actresses Nafessa Williams, Candice Patton, and Danielle Panabaker toured five U.S. military bases in Kuwait with the United Service Organizations (USO), where they visited the approximately 12,000 U.S. military personnel stationed in that country as part of DC’s 80th anniversary of Batman celebration.

In September 2020, DC Comics announced that King would be among the creators of a revived Batman: Black and White anthology series to debut on December 8, 2020. From 2021 to 2022, King was the writer on the eight-issue miniseries Supergirl: Woman of Tomorrow with artist Bilquis Evely. Susana Polo, for Polygon, wrote that “with the final issue of Supergirl: Woman of Tomorrow I can definitively say this book slaps front to back. […] The best thing Tom King’s done since Mister Miracle”. David Harth, for CBR, commented that since The Omega Men, “King has mostly stayed away from sci-fi, going for a more psychological take on superheroes instead”. Harth highlighted that Supergirl: Woman of Tomorrow “is very much a sci-fi epic” and that the series is “even more imaginative than Omega Men’s sci-fi, as it has King flexing his muscles in different ways”.

Personal life

King lives in Washington, D.C. with his wife and three children.

[Latest Update: May 23, 2022]

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