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Children Of The Vault #3 (of 4)

63
Comicscore Index
Generally favorable ratings

Based on 2 critic ratings.

THE BOYS BREAK OUT THEIR TOYS!

The time for subterfuge has passed. As the Children of the Vault stand poised to inherit the Earth, Bishop and Cable break out from the shadows guns blazing! But the Children are only one enemy in a world full of them, and now two of the world’s most wanted men have revealed themselves to every watchful eye.

Big guns, big action, big attitude – Children of the Vault is a series you can’t miss!

Publication Date
Publisher
Format
Kindle Edition
Print Lenght
25 pages
Language
English
Amazon ASIN
B0CCZ2Q971

Author
Cover Artist

50%
50%
2 Critic Ratings & Reviews from:
  • 85

    Derby Comics

    This is what we’ve been waiting for! It finally feels like we’re witnessing the full potential of what this series initially offered. Issue #3 of Deniz Camp’s limited series was the best entry yet in what’s turning into unassuming socio-political commentary. The frenemy interactions between Bishop and Cable are sublime, but Serafina’s journey of revelation steals the show as she comes to terms with how hard it is to be part of the group in power. Camp has given Serafina much needed layers of complexity which make her a more sympathetic figure. The juxtaposition between Serafina’s vision for a shared state and Capitán’s nihilistic views of humanity couldn’t be more clear and evoke a more timley throwback to the classic differences between Charles Xavier and Magneto. Luca Maresca’s art ties it all together brilliantly with stunning visuals, especially those involving the giant army of Sentinels attacking The City.

  • 70

    ComicBook.com

    The quickly escalating violence of Cable and Bishop’s guerilla warfare between two dominant forces, the Children and Orchis, produces some interesting results in Children of the Vault #3. It’s apparent that the scale of these world-breaking armies is beyond any individual superhero, but that carves out space for the duo of time-traveling soldiers to line up weapons and strategies bound to engage fans of Marvel-style science-fiction. The lack of definition about the Children’s exact goals and relationship with humanity is refined as the series’ also serves to introduce a long-awaited threat from the Krakoa era of X-Men comics. Yet much of the potential found in issue #1 is reduced to a necessary battle between heroes (i.e. Cable and Bishop) and villains (i.e. the Children) without engaging in the apparent complexities of that battle, especially given the grand mission statements laid out at the miniseries’ start. In quickly rushing to the conflict itself the story maintains its focus on the adventuresome elements that are its core strength but may leave readers wondering whether this is necessary reading. Luca Maresca’s depictions of over-sized guns and impossibly destructive ammunition makes the case that it’s worth flipping through, even if not necessary.

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